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In the best writers, the outward-reaching interest in the 'found subject' leads back at a hairpin to some uncomfortable inner recognition that the writer has journeyed very far to see; he comes home half-dead.

- Amity Gaige
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In the best writers, the outward-reaching interest in the 'found subject' leads back at a hairpin to some uncomfortable inner recognition that the writer has journeyed very far to see; he comes home half-dead.

In the best writers, the outward-reaching interest in the 'found subject' leads back at a hairpin to some uncomfortable inner recognition that the writer has journeyed very far to see; he comes home half-dead.

In the best writers, the outward-reaching interest in the 'found subject' leads back at a hairpin to some uncomfortable inner recognition that the writer has journeyed very far to see; he comes home half-dead.

In the best writers, the outward-reaching interest in the 'found subject' leads back at a hairpin to some uncomfortable inner recognition that the writer has journeyed very far to see; he comes home half-dead.

In the best writers, the outward-reaching interest in the 'found subject' leads back at a hairpin to some uncomfortable inner recognition that the writer has journeyed very far to see; he comes home half-dead.

In the best writers, the outward-reaching interest in the 'found subject' leads back at a hairpin to some uncomfortable inner recognition that the writer has journeyed very far to see; he comes home half-dead.

In the best writers, the outward-reaching interest in the 'found subject' leads back at a hairpin to some uncomfortable inner recognition that the writer has journeyed very far to see; he comes home half-dead.

In the best writers, the outward-reaching interest in the 'found subject' leads back at a hairpin to some uncomfortable inner recognition that the writer has journeyed very far to see; he comes home half-dead.

In the best writers, the outward-reaching interest in the 'found subject' leads back at a hairpin to some uncomfortable inner recognition that the writer has journeyed very far to see; he comes home half-dead.

In the best writers, the outward-reaching interest in the 'found subject' leads back at a hairpin to some uncomfortable inner recognition that the writer has journeyed very far to see; he comes home half-dead.

In the best writers, the outward-reaching interest in the 'found subject' leads back at a hairpin to some uncomfortable inner recognition that the writer has journeyed very far to see; he comes home half-dead.

In the best writers, the outward-reaching interest in the 'found subject' leads back at a hairpin to some uncomfortable inner recognition that the writer has journeyed very far to see; he comes home half-dead.

In the best writers, the outward-reaching interest in the 'found subject' leads back at a hairpin to some uncomfortable inner recognition that the writer has journeyed very far to see; he comes home half-dead.

In the best writers, the outward-reaching interest in the 'found subject' leads back at a hairpin to some uncomfortable inner recognition that the writer has journeyed very far to see; he comes home half-dead.

In the best writers, the outward-reaching interest in the 'found subject' leads back at a hairpin to some uncomfortable inner recognition that the writer has journeyed very far to see; he comes home half-dead.