I was really the first-line editor of the 'House of Night' series. I didn't write that much of the story, and I didn't know what was happening until my mom finished the book and sent it to me because I wanted to read it with fresh eyes as a general reader would.

Life being so short, and the possible books to write so many, it's good to function by night as well as by day; but would anybody become a writer if they realised at the outset what the working hours were?

There seems to be a vulnerability at the networks in late night. They are losing more and more audience, particularly young viewers who are now looking at cable television. 'Tonight' is an old show. CBS has reruns, and having a public affairs series like 'Nightline' on ABC is a big mistake.

We got spoiled with 'Friday Night Lights.' Not every show is like that, and on other shows, if you try to bring that same truth or that same approach, the system of television doesn't always allow for that level of collaboration, which is unfortunate because the work would be richer.

Being an insomniac only slows me down. I try not to write at night, as I'm concerned that this will affect the quality.

Night is certainly more novel and less profane than day.

The jazz rhythm won't be understood by the bulk of my audience. That's the problem. We can get away with maybe one tune a night. It depends on where we place it. A song like 'Beyond the Sea,' the fans love that. It's fresh.

I do a show. It comes on late at night on TV. And if that means I'm a late-night talk show host, then I guess I am, but in every other regard I resign my commission, I don't care for it.

I sleep at night; I do not think about anything. I put everything in my bag and go to sleep. Whatever you can do to me, it does not affect me. I started my life, my own life. I did not inherit it.

I fought from the time I was eight years old, sometimes three, four fights a night. We did it to eat, and we did it because we were just tough kids.

I pray every night. I just talk to God and I can go to sleep. I don't worry anymore.

David Milch, twice I got lectures from him about the theory of writing. I told my wife one night when I got home, 'I feel like I'm being paid to sit at the feet of Aristotle.'

Obviously I'm fast, and I'm going to have to utilize that speed, but I'm also going to have to be smart. I'm also strong, and I have a punch, so I'm going to have to use all my qualities to be able to fight against Angulo, and I just feel whoever's the best prepared that night is going to win.

I am so blessed. I've been way over-blessed. At 64 years old, I look forward to going to bed every night so I can wake up in the morning and see what blessing is going to come my way that day. Because you never, ever know what God's got in store for you.

I try to write three jokes every day. I don't sit down and write them, it's just things that pop into my head. Then I'll go watch it fail onstage that night.

When you're out in the military situation, you can't take pictures at night because flashlights. So at night and in bad weather and in dark weather, the cameras went into the fish tackling box, which was waterproof, and I would just use my mind and try to keep quotes there and write down little stories.

The craziest place I've probably ever visited while filming would have to be Jordan. I did a small test shoot for a test movie. We arrived in Jordan, and we stayed in Amman for a night. Then we drove down for three hours into the middle of the Wadi Rum Desert, which is in the absolute middle of nowhere. It was insane.

It's like driving a car at night. You never see further than your headlights, but you can make the whole trip that way.

I loved doing Shakespeare. My two favorite roles, in fact, have been Viola in Twelfth Night and Helena in A Midsummer Night's Dream.

Liberal democracies like ours seem, for the most part, to have learned how to avoid meticulously planned mass-casualty plots with the complexity and scale of 9/11. But they don't know how to keep their citizens safe at night clubs and concerts, in supermarkets, on beachfront promenades, from truck drivers.