What people respond to is intimacy and regularity.

Audiences respond in entirely different ways. One thing is unanimous - music binds us altogether.

I just really respond to comics. I find it a really exciting medium.

Those few people who do respond to the dire conditions of the future - journalists, environmentalists, behavioral scientists - tend not to be powerful.

People really respond when given an opportunity to take part in something.

The Asian-American kids I meet respond to a democracy in the vulgarity of my roles.

I actually did a remix for Katy Perry, and her management didn't respond.

You're going to fail. It's how you respond to that failure that kind of defines you as a person, as an athlete.

How the PAP chooses to conduct its politics is something for the PAP to decide. The public are equally entitled to respond as they deem fit - within the remit of the law - and at the ballot box.

I respond to a part just intuitively when I read a script.

Ambiguity is something that I really respond to. I like the complexity of it.

The movies I respond to are by guys like the Coen brothers and Edgar Wright, where it's hard to fit them into any one box.

The political graveyards are full of people who don't respond.

You can't tolerate anybody attempting to threaten or intimidate your body. You must respond with force.

Respond intelligently even to unintelligent treatment.

I just respond to the stories I'm being asked to tell.

We have to put aside the customary historical reading of works of art in order to invite art to respond to certain quite specific pains and dilemmas of our psyches.

'Serious acting' is the kind of acting that I don't ever respond to.

What happens is things come to you - director, script - and if you respond to it, it's because it's tapping into some part of what's inside you, and different roles tap into different parts.

I deal with first-hand sources. And give the people, even John Sununu, the opportunity to respond to what I've been told by first-hand sources.