I guess it's ridiculously romantic, but I wanted to be a full tilt, sink-or-swim writer.

I'm a hopeless romantic and a believer in handwritten letters.

I think my mother has always understood what a romantic idealist I am, so she's never had trouble supporting what might be aberrant behavior to others.

'Wuthering Heights' is portrayed as a great romantic novel, and when I read it again, I thought, 'How is this romantic? All these people are horrible to each other!'

I've never tried to reach a certain demographic of an audience or try to say, 'OK, now I'm going to do this type of film to transition myself into more adult roles.' Or a romantic hero. Or whatever it may be - you know what I mean?

My dad was an adventurer, my mother a romantic. When they met in college, both were creative writers; the writing was a bond.

I'm a complete romantic - it's why I always get married. Someone should really stop me.

If you're looking to be loved for a part, it's great and enticing to be adorable in a romantic comedy. But then, as an actor, you get stuck.

As a kid I quite fancied the romantic, Bohemian idea of being an artist. I expect I thought I could escape from the difficulties of maths and spelling. Maybe I thought I would avoid the judgement of the establishment.

I love Paris for the million reasons that everybody loves the city. It's an incredibly romantic and beautiful place.

I'm turned off by the groupie thing. I'm a romantic; I like finding the right woman, and if it works, it works.

'Vetri Selvan' is the first film where I play a conventional romantic role, which I found very challenging.

I am a bit of a hopeless romantic. I really do have a faith and a belief in love, and when I love, I love hard.

Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.

When I got married, the Sun ran the headline: 'Here comes the bride, all fat and wide.' Luckily, it was a few days after the wedding - but it was still hideous to read at a great romantic moment.

Without romance, films will be boring. I doubt if people now understand romance, though they may claim it otherwise. I am very romantic in real life.

Well, whenever I visit New York it feels pretty romantic, so I sometimes think about coming back here. But then I wonder if it's just 'cause I'm visiting that it feels so good. But also, Minnesota. I could imagine myself finding a place in Minneapolis.

'Bombay Velvet' is my most romantic film, it's my 'Titanic' or 'Gone With The Wind.'

The Germany I was enthused with was more old fashioned and kind of romantic. I just got there, and the next thing you know, I had this huge gilded album. It was kind of an amazing experience because I didn't intend it to be that way.

When I first started drawing the earliest incarnation of 'Optic Nerve,' I hadn't even been on a date; I hadn't had a romantic relationship of any kind yet, so in a way, I was almost writing science fiction.