Hamilton' has changed my life in so many ways. I really do have a family from that show. The people that I shared that stage with every night- they mean so much to me and they're so special and so talented. I'm just a fan of every single one of them and it was an honor to share that stage with them.

After I won the Pulitzer, there was this sense of, 'OK, that's enough for you. Now go away.' What I wanted was to keep writing, keep working. But no one would produce anything of mine they didn't think would be as big as 'night, Mother.'

Our store was so small, it had no back or second floor. We just slept on the counter late at night after the store was closed.

I'm always writing at night - things I would change, things I would do differently. When I write a note, it sticks in my head differently.

I'd rather play a few nights at the Fillmore than play one night at an arena.

Bisexuality immediately doubles your chances for a date on Saturday night.

The night I was recognized for 'Daughters' at the Grammys was the night this record started. I knew I had bought the time to learn everything I needed before I started this one. 'Continuum' is not a shot in the dark, it's not a guesstimation.

My makeup routine is a small amount of base, a mascara, nude eye shadow, and a lip balm or a gloss. When I go out at night, I wear a blusher and tons and tons of mascara - very easy, very fresh, very light. I can't sit around doing my own makeup all day - I wish I could.

I'm not used to going out every single night, which you can do in New York.

A day without sunshine is like, you know, night.

In some ways, trying to win cups is more fraught than trying to win the league, as one really bad night and everything comes crashing down.

I maintain a healthy lifestyle all year round for my job, but I definitely try to eat extra clean the night before a shoot and make sure to fit in a workout so that I feel my best.

There's no such thing as an overnight success.

There might be games where I feel like I don't have the energy I'm supposed to have. So for me, I think it's important that every single night I bring the energy.

The hardest thing is to go to sleep at night, when there are so many urgent things needing to be done. A huge gap exists between what we know is possible with today's machines and what we have so far been able to finish.

On film, when you're driving home from the set, you realize what you should have done, but it's too late. When you're taking the subway home from your play, you realize what you did wrong, and you go back the next night and you do it better, or you screw it up again in a different way. It's a different thing altogether.

After I'd preached a message on Sunday night, I'd print it up.

The mobile phone is used from when you get up in the morning and is often the last thing you interact with at night.

The appeal of the Golden Age heroes for me is their simplicity, even their naivety - they represent the fundamental building blocks of the whole superhero genre, whether it's a 'super' man able to lift cars, or a vigilante who terrorises criminals at night like Batman.

Only two things change when you get older: the energy in your voice and the time of night you feel it's appropriate to call someone. In your 20s, people call at 2 a.m. and yell, 'Are you up?' into the answering machine. Now, someone calls after 8 p.m., and my boyfriend is like, 'Who is that? Who could be calling at this hour?'